Wednesday, May 14, 2014

travels in dreamland

 

''sometime in the 1960s i was cruising at night off some point of arabia. in the interior not far away was the ruined castle of orbutum. there were stories that somewhere along this coast were the lost mines of king solomon. mysterious lights shone in the sky above the castle, ... i persuaded the captain that we should search in the ruins.''

graham greene, a world of my own.

 

Thursday, May 8, 2014

zenig the upcycled

bon barde gives zenig the acajou treatment at skulladay.

''you have come to see the great ones whom it is unlawful for men to see. ... when barzai the wise climbed hatheg-kla to see the greater ones dance and howl above the clouds in the moonlight he never returned. the other gods were there, and they did what was expected. zenig of aphorat sought to reach unknown kadath in the cold waste, and his skull is now set in a ring on the little finger of one whom i need not name."

h.p.lovecraft, the dream quest of unknown kadath.

 

Sunday, April 20, 2014

opening lines in the desert of araby


When I drew nigh the nameless city I knew it was accursed. I was travelling in a parched and terrible valley under the moon, and afar I saw it protruding uncannily above the sands as parts of a corpse may protrude from an ill-made grave. Fear spoke from the age-worn stones of this hoary survivor of the deluge, this great-grandmother of the eldest pyramid; and a viewless aura repelled me and bade me retreat from antique and sinister secrets that no man should see, and no man else had ever dared to see.

Remote in the desert of Araby lies the nameless city, crumbling and inarticulate, its low walls nearly hidden by the sands of uncounted ages. It must have been thus before the first stones of Memphis were laid, and while the bricks of Babylon were yet unbaked. There is no legend so old as to give it a name, or to recall that it was ever alive; but it is told of in whispers around campfires and muttered about by grandams in the tents of sheiks, so that all the tribes shun it without wholly knowing why. It was of this place that Abdul Alhazred the mad poet dreamed on the night before he sang his unexplainable couplet:

“That is not dead which can eternal lie,
And with strange aeons even death may die.”

I should have known that the Arabs had good reason for shunning the nameless city, the city told of in strange tales but seen by no living man, yet I defied them and went into the untrodden waste with my camel. I alone have seen it, and that is why no other face bears such hideous lines of fear as mine; why no other man shivers so horribly when the night-wind rattles the windows. When I came upon it in the ghastly stillness of unending sleep it looked at me, chilly from the rays of a cold moon amidst the desert’s heat. And as I returned its look I forgot my triumph at finding it, and stopped still with my camel to wait for the dawn.

full text can be read at the lovecraft archive.

Saturday, April 5, 2014

onyx of the ptolemies


"yet who shall declare the dark theme a positive handicap? radiant with beauty, the cup of the ptolemies was carven of onyx."

h.p.lovecraft, supernatural horror in literature.

 

Friday, March 14, 2014

opening lines with horrible conclusion

 

The horrible conclusion which had been gradually obtruding itself upon my confused and reluctant mind was now an awful certainty. I was lost, completely, hopelessly lost in the vast and labyrinthine recesses of the Mammoth Cave. Turn as I might, in no direction could my straining vision seize on any object capable of serving as a guidepost to set me on the outward path. That nevermore should I behold the blessed light of day, or scan the pleasant hills and dales of the beautiful world outside, my reason could no longer entertain the slightest unbelief. Hope had departed. Yet, indoctrinated as I was by a life of philosophical study, I derived no small measure of satisfaction from my unimpassioned demeanour; for although I had frequently read of the wild frenzies into which were thrown the victims of similar situations, I experienced none of these, but stood quiet as soon as I clearly realised the loss of my bearings.

h.p lovecraft, the beast in the cave.

 

Wednesday, March 5, 2014

forced opening lines

I am forced into speech because men of science have refused to follow my advice without knowing why. It is altogether against my will that I tell my reasons for opposing this contemplated invasion of the antarctic—with its vast fossil-hunt and its wholesale boring and melting of the ancient ice-cap—and I am the more reluctant because my warning may be in vain. Doubt of the real facts, as I must reveal them, is inevitable; yet if I suppressed what will seem extravagant and incredible there would be nothing left. The hitherto withheld photographs, both ordinary and aĆ«rial, will count in my favour; for they are damnably vivid and graphic. Still, they will be doubted because of the great lengths to which clever fakery can be carried. The ink drawings, of course, will be jeered at as obvious impostures; notwithstanding a strangeness of technique which art experts ought to remark and puzzle over.


In the end I must rely on the judgment and standing of the few scientific leaders who have, on the one hand, sufficient independence of thought to weigh my data on its own hideously convincing merits or in the light of certain primordial and highly baffling myth-cycles; and on the other hand, sufficient influence to deter the exploring world in general from any rash and overambitious programme in the region of those mountains of madness. It is an unfortunate fact that relatively obscure men like myself and my associates, connected only with a small university, have little chance of making an impression where matters of a wildly bizarre or highly controversial nature are concerned.

h.p.lovecraft, at the mountains of madness.

 

Saturday, March 1, 2014

of onyx

 

"yet who shall declare the dark theme a positive handicap? radiant with beauty, the cup of the ptolemies was carven of onyx."

h.p.lovecraft, supernatural horror in literature.