'' then the man motioned carter to mount one of the repugnant shantaks ... it was hard work ascending, for the shantak-bird has scales instead of feathers, and those scales are very slippery ... once he was seated the slant-eyed man hopped up behind him ...
'' there now followed a hideous whirl through frigid space, ... beyond which leng was said to be ... far above the clouds they flew, till at last there lay beneath them those fabled summits of which the folk of inquanok have never seen, ... carter saw them very plainly as they passed below, and saw upon their top most peaks strange caves ... he noticed that both the man and the horse-headed shantak appeared oddly fearful of them, ...
'' the shantak now flew lower, revealing beneath the canopy of cloud a grey barren plain whereon at great distances shone little feeble fires ... around the feeble fires dark forms were dancing, ... very slowly and awkwardly did these forms leap; and with an insane twisting and bending not good to behold ... as the shantak flew lower, the repulsivness of the dancers became tinged with a cetain hellish familiarity, ... they leaped as though they had hooves instead of feet and seemed to wear a sort of wig or headpiece with small horns ...
'' but the shantak flew on past the fires ... and soared over sterile hills of grey granite and dim wastes of rock and ice and snow ... and still the vile bird winged meaningly through the cold and silence ... and finally they came to a wind-swept table-land which seemed the very roof of a blasted and tenantless world ... the lothsome bird now settled to the ground,''
h.p.lovecraft, the dream quest of unknown kadath.
i: grinning shantak-bird, perpetrated by goya, at norton simon museum.
Thursday, October 28, 2010
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